I fell in love with Satoshi Yagisawa's books, quietly, like a rainy morning that suddenly feels like home. First there was one story, then another, until I finally realized I wasn't just reading stories anymore. I was entering them. I'd take off my shoes at the threshold of sentences, sit on the floor between paragraphs, and stay there longer than I planned.Like his heroines, I could live in a small room above a second-hand bookstore. I could see it clearly: the narrow stairs creaking underfoot, the smell of old paper wafting like a promise, the window overlooking a street that never seems to rush. The room would be modest - a bed, a desk, a bookshelf that's always too small but perfectly adequate. Because true space would only begin when I opened a book.I would travel every day. Without a suitcase, without a map. One moment I'd be in a small town where people speak in half-words, another in a café where someone is making the most important decision of their life. Sometimes I'd come back tired, with a heart heavy from the fates of others, and sometimes light, as if someone had left me hope between the pages.In the evenings, I'd sit on the floor of the second-hand bookstore, helping to organize books, even though I knew that books couldn't be completely organized. They choose when they wanted to be found. I'd cherish that moment when someone entered hesitantly, said, "I'll just look around," and left with a volume under their arm and a thought that haunted them.I think that in such a life, I would learn patience. And mindfulness. That loneliness isn't always emptiness, and that silence can speak louder than conversations. Books would also teach me that everyone has a story even me, sitting in the small room above the second-hand bookstore, with tea cooling on the windowsill.I fell in love with these books because they showed me that you don't have to go far to travel. All you have to do is open a door. Or a cover.
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